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It’s easier to use the top feed for lighter-weight paper and save the front feed for thicker, more rigid media. The front sheet feed requires a bit of finessing to precisely align the paper since there’s only a mark (rather than physical guides) to place the media. The tray is also a little short for larger/longer prints and since there’s no catch basket, some prints will likely end up on the floor if you’re not there to grab them. It doesn’t slide smoothly in or out of the main body and although we don’t think it will break, moving the tray requires a little bit of jiggling. Marring the overall excellent build quality is the rather flimsy plastic output tray. Epson has also improved dust and static control to reduce print head nozzle maintenance.Īll is not perfect, however. The transparent but sturdy plastic allows you to keep an eye on the printing process. But the really good news is that the Epson Advanced Black and White Photo Mode finally has live previews so your adjustments are reflected on your selected photo rather than a reference photo.Īnother plus is the addition of dustproof features such as the fully enclosed roll feed.
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The software also provides tools for creating customized gallery-wrap prints. Epson’s Print Layout application, a free download, proved very useful particularly when setting up panorama or custom print sizes.
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It’s best to keep that user manual handy.Īt the same time, of course, you need to manage your print output via software. While the control panel is useful, you may need to dig around the menu before discovering what options are there. The printer does present something of a learning curve. The latter, along with an alert lamp on the front of the printer, provides important notifications about ink status, paper feed issues and more, reducing the time spent investigating what problem the printer might be encountering.
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It’s equipped with Gigabit Ethernet and USB 2.0 ports, a built-in rotary cutter and a full color, 2.7-inch LCD control panel. Figure about 45 minutes to an hour, at best, until it’s ready to print. But once you extricate the printer from its box, setup is easy, if a little time-consuming. Unboxing and moving the printer to a sturdy table is definitely a two-person job. It weighs almost 115 pounds and, with the exit tray closed, measures 34.0 x 30.2 x 15.8 inches.
The SC P5000 is a beast, albeit a handsome one. Good luck finding a hard drive that will last that long. That translates to up to 200 years for color prints and up to 400 years for black and white-provided you store them properly. The printer and its ink set deliver a broader color gamut, 1.5x higher density blacks and print permanence double that of its predecessor. An optional SpectroProofer is also available.
Built-in roll printing and a high-capacity cassette complement front and top feeds. These tanks are designed as repositories for excess ink (yes, we know those words make you cringe more about that later). The printer is also equipped with two maintenance tanks, including one for borderless printing. The Commercial edition comes with Pantone-friendly Violet ink instead of what’s called “light light black,” while the Commercial model includes an EFI Fiery eXpress for Epson RIP.įeaturing a 10-color UltraChrome HDX pigment inkset, the P5000 utilizes 200mL cartridges, adding orange and green inks to the core set of cyan, light cyan, yellow, vivid magenta, vivid light magenta and three levels of black (Photo or Matte, light black and light light black). Commercial and Designer editions are also available for $1,995 and $2,495, respectively.
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The successor to the Stylus Pro 4900 is available in three editions: The Standard edition, reviewed here, retails for $1,995. (The company recently rebranded its familiar Stylus Photo/Stylus Photo Pro lines under the SureColor banner to unify the brand globally.) Features That trajectory continues with the SureColor P5000, Epson’s latest, large format 17-inch desktop printer. Each generation of hardware and ink set development brings photo printing to new levels. Epson inkjet printers have been a staple in photographers’ studios for many years and with good reason.
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